Seville, Spain, 1940
The key to the vault of his painting lies in a very intuitive way of reconciling gesture, construction, freedom and order and in his sensation of colour, which he knows how to modulate, qualify and nuance in a unique way.
In his work there is a case of identification between painting and workshop, which already belongs to the sentimental imagery of the many who have frequented him in recent decades. He continues to throw in his painting that Spanish moment to which he belongs in a very broad way.
